Media mogul Mo Abudu has firmly dismissed allegations of preferential treatment or “cabal” influence in Nigerian cinema scheduling, stating that screen time is determined solely by commercial performance. Speaking on Arise TV, the CEO of EbonyLife Group, which owns cinema chains, explained that decisions are based on return on investment, with films being removed if they fail to attract audiences.
Abudu clarified that with multiple screenings daily, no single movie can dominate schedules, and maintaining empty screenings is financially unsustainable.
Her comments address longstanding complaints from filmmakers like Toyin Abraham, Ini Edo, and Mercy Aigbe, who have accused cinemas of unfair practices and sabotage. The Cinema Exhibitors Association of Nigeria has consistently denied such allegations, arguing that undermining films contradicts their business interests.
Key Points:
The statement provides a direct, business-centric rebuttal to persistent industry grievances about transparency and fairness.
It highlights the financial realities of cinema operations, where occupancy rates directly impact profitability.
The clarification aims to demystify distribution and challenge narratives of insider manipulation within Nollywood.
It underscores the tension between creative content producers and the commercial imperatives of exhibition platforms.
The response reinforces the role of audience choice as the ultimate determinant of a film’s cinematic lifespan.
Abudu’s intervention reframes the debate around cinema slots from one of alleged bias to a matter of audience-driven economics, emphasizing the industry’s commercial underpinnings.
Sources: Mo Abudu Interview on Arise TV
๐๐๐๐ ๐ฉ๐๐ ๐๐๐ฉ๐๐จ๐ฉ ๐๐ฅ๐ค๐ง๐ฉ ๐๐ง๐๐ฃ๐๐จ ๐๐ฃ๐ ๐๐๐ฉ ๐๐ง๐๐จ๐ ๐ช๐ฅ๐๐๐ฉ๐๐จ ๐๐จ ๐ฉ๐๐๐ฎ ๐๐ง๐ค๐ฅ ๐ซ๐๐ [๐๐ฌ๐๐ฉ๐ฉ๐๐ง] ๐ ๐๐ฃ๐ ๐๐๐๐๐๐ค๐ค๐ ย Now.
Join Our WhatsApp Channel
To join: Simply click on the link below and turn on notifications to receive the latest scholarship, job, and opportunity updates instantly.
Join WhatsApp Channel